Talking about other planets often becomes another way of talking about Earth, making it easier to engage with ourselves, our habits and the impacts they have. Reading ‘Orbital’ by Samantha Harvey, the poetic, beautiful book about a day in the life on the International Space Station, much of what made it so wonderful to read was being taken to somewhere else I’d never be able to, and seeing Earth afresh. It felt revelatory being shown the beauty and improbable aloneness of our Earth in the universe.
Taking a different planet seemingly as it’s focus ‘Moon’, Duncan Jones’ 2009 film, offers another way for us to see ourselves and Earth. So much of the story is about the focus of Sam Rockwell’s character Sam Bell on looking after himself as he finishes up his three year posting on the Moon, ahead of returning to Earth, his wife and family. Sam is all alone on the Moon apart from an AI helper and ‘buddy’ as he mines for helium-3. His contact with Earth is limited to intermittent recorded messages as the live communications link between the Moon and Earth is down. At the start of the film we see Sam trying to keep himself together physically and mentally. We see how much he wants to get back to Earth, to his home and family, how close it all seems and yet how far given what seems to be a declining state of health. As the film unfolds, we watch his health deteriorate.
Seeing him as he gets physically injured, and as his mental health is affected, it felt like I was seeing the madness of our pursuit for energy playing out on one person. Getting sick and going mad as an allegory of our collective madness. How this manifests in him – his health suffering, physically and mentally scarred, bruised, burned and eventually left for dead. Disconnected from those he loves, watching them from afar, intermittently, as they grow and change without him there.
Heidegger talks about how technology can alienate us from ourselves and our true sense of being. That we are all beings in this world, with relationships to each other that are fundamental as inherently social creatures. As we see in ‘Moon, Sam is able to make sense of the work he’s doing because of what it means for the possibilities for his family, and how much he values getting messages from them. Heidegger is worried that technology can lead us to see nature and other people simply as raw materials – whether in ‘Moon’ that’s the person who is doing the mining, or the materials they are mining for. Technology then, in Heidegger’s view, takes us away from our sense of self, our way of being in the world which he sees as crucial to our humanity. Although there’s much to criticise Heidegger for – professionally and personally – ‘Moon’ gives a cinematic view of what that disconnect can look like.
The distant company Sam is working for, distant both physically and emotionally, seem to be operating from this Heideggerian perspective. They give Sam meaningless platitudinal reassurance but don’t do anything to fix equipment or look after him in ways which would actually be useful for him. Sam continues to work even whilst he is unwell, out of a sense of obligation and to avoid giving any reason for his return to Earth to be delayed. He has some interests outside of his work there, making a model replica of his hometown and exercising. In the main his life and meaning has become so built around the work, and the work ending so he can return home, that he needs to keep working so he, his location and his purpose there can hold together.
Sam’s work extracting helium-3 makes visible how energy extraction can look in practice, something we can usually avoid. Seeing the mining unfolding on the Moon, a place that seems such a pristine environment, feels more shocking, throwing into further relief what we are doing on Earth. Compared to earth, where it’s estimated there is only about 100kg globally of helium-3, the amount on the Moon is relatively more abundant. Different samples have found up to 10 parts per billion(ppb) of helium-3 on the Moon, with the average about 4 ppb. These are still very low levels of the material but lots of organisations have nonetheless investigated mining there. Currently helium-3 is used in a few ways, including in cryogenics and quantum computing but it’s also considered a potential future source of energy, as the film proposes it is used. The film shows the Moon’s surface getting utterly churned up as Sam tries to find some crumbs of helium-3 to send back to Earth.
In the literature around energy transitions, one of the key discussions is whether we have seen or are seeing, energy transitions or whether it’s more a case of energy additions. The argument for energy transitions is about progress away from older energy sources and bringing online new ones. Primarily this is a discussion about a transition away from filthy fossil fuels to cleaner sources of energy – renewable sources such as solar, wind or hydroelectric, as well as ones that are cleaner by some metrics ones such as nuclear. Proponents of this view would point to how some sources such as coal, have fallen away or gone completely in many countries.
Fressoz’s book ‘More and more and more’ argues that what we’ve had, and are going through, are energy additions. That whilst new technologies are coming online, we’re still using old technologies too, and this increase in the availability of energy is leading to an overall rise in consumption. The data can certainly support this view. Data from ‘Our World in Data’ shows that more traditional biomass is burnt globally now than 100s of years ago. We’re still using coal and gas. This year has seen the highest ever level of coal usage globally. As Fouquet and Pearson’s 1998 article shows, the more energy that becomes available, and the more affordable it becomes, the more likely we are to spend disposable income on energy. This encourages people to develop new or cheaper energy sources and services, making it more affordable, and normal, for people to use more energy. Then we go around the loop again.
Shove talks about the adoption of practices and how comfort becomes something that people seek. This feedback loop between availability, use and rising expectations or changing norms can then feed off itself. We can justify the mess we make of places on Earth or, in a potential future, the Moon or indeed other planets – apparently Jupiter has the most helium-3 of all the planets but that’s even more inaccessible than the Moon – because of all the uses we make of energy. The entrenched position of the habits and expectations becomes enough to explain or justify the impacts. It can also become easier to accept the impacts than address the behaviours.
I found watching ‘Moon’ to be an unsettling story in many ways, yet it was also like watching a story I’ve seen many times before. The film provided a near-future reflection of scenes that continue to be played out across the world in pursuit of resources. Although ‘Moon’ is science fiction, it reflects existing extractive patterns here on Earth, affecting those working in the industry and the Earth itself. ‘Orbital’ gives us reasons to care, inviting us to see anew how precious this planet is, while ‘Moon’ shows us the consequences of that lack of care. Together, they offer different ways of seeing ourselves, giving emotional reasons to care, and to want to reassess our actions.
We need new stories... 